But the one's I have heard haven't sounded massively different from what could be achieved by processing the track with a decent software limiter and some basic EQ tools. Perhaps I haven't listened to enough tracks processed by LANDR to form a proper opinion, or enough tracks from different genres. There are no more audiofiles anymore, but I have them. Now we believe that nothing can happen in future. Nobody believed in electricity and recorded music in 18 century, nobody believed in 1950s that huge powerful studio may exist at home in one small box called computer, nobody believed in 70s in mobile phone with hours of video,music,thousands of good quality photo,games nobody believed in Internet etc. Why do pro people with excellent acoustics control room and experience voted mostly for automated shit instead of pro-engineers? Maybe it works, maybe algorithms are improving because they are weak, maybe it is 21th century where analog almost died, digital is absolutely everywhere and robotic-automatic stuff is welcome? Maths kill physics? Now we say fuck analog, there is a lot of digital stuff which are better, but years later it probably will be: fuck humans, there are PC algorithms, faster and higher quality. So human mastering even premium engineer were underrated with bad sound, but Aria Mastering with their unique hybrid (analog/digital/plugin) automated systems was the best one, people voted for that mostly! Majority! So it proved, that this shit works, even not worse than real Mastering Engineers do, and sometimes better. There was shootout test on gearslutz, mastered versions of one track, there were real engineers, even premium one, and automated mastering services. Three-year warranty and award-winning customer support for life.Do you want some cool things about automated mastering?.Includes Ableton Live Lite, three months of Pro Tools Artist, and the Hitmaker Expansion, with plugins from Antares, Softube, Landr, XLN Audio and more.USB-C connectivity, compatible with MacOS, Windows and iPadOS.Powerful headphone output with independent level control.Direct Monitor unlocks latency-free monitoring – stereo or mono – in one click.24-bit/192 kHz converters deliver studio-quality sound.Air Mode breathes life into vocals and acoustic instruments.Two inputs and two outputs two 3rd Generation mic pres, switchable to line or Hi-Z instrument inputs, with two balanced outputs. And it comes with some of the best-loved tools in the business, including Ableton Live Lite, Avid Pro Tools Artist and Hitmaker Expansion – with plugins from legendary Auto-Tune® creators Antares®, Brainworx®, Softube®, Landr, XLN Audio®, Relab and more. Two balanced outputs are hum-free for pristine monitoring, mixing and mastering with studio monitors. The high-impedance, high-headroom instrument inputs are great for recording guitar or bass without clipping, while our iconic Gain Halos make it easy to set input levels fast. Air mode recreates the legendary effect of Focusrite's ISA mic pres and makes vocals and guitars shine. The two 3rd Generation Scarlett mic preamps sound great straight out of the box. Hook up a couple of mics, guitars or keys and record however you want. 2i2 has brought studio sound to more artists than any other interface.
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